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The musical term alto, meaning "high" in
Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ...
(
Latin Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the ...
: ''
altus Altus or ALTUS may refer to: Music *Alto, a musical term meaning second highest musical or vocal type *Altus (voice type), a vocal type also known as countertenor Places * Altus, Arkansas, US **Altus AVA, a wine-growing region near Altus, Arkans ...
''), historically refers to the
contrapuntal In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...
part Part, parts or PART may refer to: People *Armi Pärt (born 1991), Estonian handballer * Arvo Pärt (born 1935), Estonian classical composer *Brian Part (born 1962), American child actor *Dealtry Charles Part (1882–1961), sheriff (1926–1927) a ...
higher than the
tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...
and its associated
vocal range Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of stud ...
. In 4-part
voice leading Voice leading (or part writing) is the linear progression of individual melodic lines ( voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counte ...
alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called
contralto A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically b ...
and male alto or
countertenor A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a s ...
. Such confusion of "high" and "low" persists in instrumental terminology.
Alto flute The alto flute is an instrument in the Western concert flute family, the second-highest member below the standard C flute after the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the ...
and
alto trombone The alto trombone (german: Altposaune, Italian, French: ''trombone alto'') is the alto member of the trombone family of brass instruments, smaller than the tenor trombone. It is almost always pitched in E♭ a fourth higher than the tenor, altho ...
are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the
tenor trombone A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widel ...
), though both play in ranges within the
alto clef A clef (from French: 'key') is a musical symbol used to indicate which notes are represented by the lines and spaces on a musical stave. Placing a clef on a stave assigns a particular pitch to one of the five lines, which defines the pit ...
.
Alto recorder The alto recorder in F, also known as a treble (and, historically, as consort flute and common flute) is a member of the recorder family. Up until the 17th century the alto instrument was normally in G4 instead of F4. The alto is between the s ...
, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders;
alto clarinet The alto clarinet is a woodwind instrument of the clarinet family. It is a transposing instrument pitched in the key of E, though instruments in F have been made. In size it lies between the soprano clarinet and the bass clarinet. It bears a grea ...
is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a
contra-alto clarinet The contra-alto clarinet, E♭ contrabass clarinet, is a large clarinet pitched a perfect fifth below the B♭ bass clarinet. It is a transposing instrument in E♭ sounding an octave and a major sixth below its written pitch, between the ...
, (an octave lower than the alto clarinet), with a range B♭0 – D4.


Etymology

In
choral music A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which sp ...
for mixed voices, "alto" describes the lowest part commonly sung by women. The explanation for the anomaly of this name is to be found not in the use of adult falsettists in choirs of men and
boys A boy is a young male human. The term is commonly used for a child or an adolescent. When a male human reaches adulthood, he is described as a man. Definition, etymology, and use According to the ''Merriam-Webster Dictionary'', a boy is "a ...
but further back in innovations in composition during the mid-
15th century The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. M ...
. Before this time it was usual to write a melodic ''cantus'' or ''
superius In early music polyphony, ''superius'' or cantus is the Latin language-derived name given to the highest voice or part.Arnold D. (ed), ''New Oxford Companion to Music'', Oxford, (1983) See also * Voice type * Quintus (vocal music) The Latin word q ...
'' against a
tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...
(from Latin ''tenere'', to hold) or 'held' part, to which might be added a
contratenor A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a sp ...
, which was in
counterpoint In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...
with (in other words, against = contra) the tenor. The composers of Ockeghem's generation wrote two contratenor parts and designated them as ''contratenor altus'' and ''contratenor bassus''; they were respectively higher and lower than the tenor part. From these derive both the modern terms "alto" (and contralto) and " bass".


Solo voices

The contralto voice is a matter of vocal timbre and
tessitura In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or character ...
as well as range, and a classically trained solo contralto would usually have a range greater than that of a normal choral alto part in both the upper and lower ranges. However, the vocal tessitura of a classically trained contralto would still make these singers more comfortable singing in the lower part of the voice. A choral non-solo contralto may also have a low range down to D3 (thus perhaps finding it easier to sing the choral tenor part), but some would have difficulty singing above E5. In a choral context mezzo-sopranos and contraltos might sing the alto part, together with countertenors, thus having three vocal timbres (and two means of vocal production) singing the same notes. Alto is rarely used to describe a solo voice (except in the case of soloists in choral works), though there is a multitude of terms in common usage in various languages and in different cultures for solo singers in this range. Examples include contralto, countertenor, ''
haute-contre The haute-contre (plural hautes-contre) was the primary French operatic tenor voice, predominant in French Baroque and Classical opera, from the middle of the seventeenth century until the latter part of the eighteenth century. History This voice ...
'', and ''tenor altino'' among others.


In choral music

In SATB four-part mixed chorus, the alto is the second-highest vocal range, above the
tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...
and bass and below the
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
. The alto range in choral music is approximately from F3 (the F below middle C) to F5 (the second F above middle C). In common usage, alto is used to describe the
voice type A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, t ...
that typically sings this part, though this is not strictly correct. Alto, like the other three standard modern choral voice classifications (soprano, tenor and bass) was originally intended to describe a part within a
homophonic In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh ...
or
polyphonic Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, h ...
texture, rather than an individual voice type; neither are the terms alto and
contralto A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically b ...
interchangeable or synonymous, though they are often treated as such. Although some women who sing alto in a choir are contraltos, many would be more accurately called
mezzo-soprano A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C ...
s (a voice of somewhat higher range and different
timbre In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voice ...
). Men singing in this range are
countertenor A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a s ...
s, although this term is a source of considerable controversy, some authorities preferring the usage of the term "male alto" for those countertenors who use a predominantly
falsetto ''Falsetto'' (, ; Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentous ed ...
voice production (boys singing in their natural range may be termed "boy altos").


See also

*
Voice classification in non-classical music There is no authoritative system of voice classification in non-classical music as classical terms are used to describe not merely various vocal ranges, but specific vocal timbres unique to each range. These timbres are produced by classical trai ...


References


Citations


General and cited sources

* *


Further reading

* * * *


External links

* {{Authority control Choral music Musical terminology Pitch (music) Voice types de:Alt (Stimmlage)